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Might sindge thy upper down attire,
And thou i' th' storm to loose an eye.

A wing, or a self-trapping thigh:
Yet hadst thou fal'n like him, whose coil

Made fishes in the sea to broyl,
When now th'ast scap'd the noble flame;

Trapp'd basely in a slimy frame,
And free of air, thou art become

Slave to the spawn of mud and lome?
Nor is't enough thy self do's dresse

To thy swoln lord a num'rous messe,
And by degrees thy thin veins bleed,

And piecemeal dost his poyson feed;
But now devour'd, art like to be

A net spun for thy familie,
And, straight expanded in the air,

Hang'st for thy issue too a snare.
Strange witty death and cruel ill

That, killing thee, thou thine dost kill!
Like pies, in whose entombed ark

All fowl crowd downward to a lark,
Thou art thine en'mies' sepulcher,

And in thee buriest, too, thine heir.
Yet Fates a glory have reserv'd

For one so highly hath deserv'd.
As the rhinoceros doth dy

Under his castle-enemy,
As through the cranes trunk throat doth speed,

The aspe doth on his feeder feed;
Fall yet triumphant in thy woe,

Bound with the entrails of thy foe.
<77.1> The spider.

A FLY ABOUT A GLASSE OF BURNT CLARET.
I.

Forbear this liquid fire, Fly,
It is more fatal then the dry,

That singly, but embracing, wounds;
And this at once both burns and drowns.

II.
The salamander, that in heat

And flames doth cool his monstrous sweat,
Whose fan a glowing cake is said,

Of this red furnace is afraid.
III.

Viewing the ruby-christal shine,
Thou tak'st it for heaven-christalline;

Anon thou wilt be taught to groan:
'Tis an ascended Acheron.

IV.
A snow-ball heart in it let fall,

And take it out a fire-ball;
Ali icy breast in it betray'd

Breaks a destructive wild granade.
V.

'Tis this makes Venus altars shine,
This kindles frosty Hymen's pine;

When the boy grows old in his desires,
This flambeau doth new light his fires.

VI.
Though the cold hermit over wail,

Whose sighs do freeze, and tears drop hail,
Once having pass'd this, will ne'r

Another flaming purging fear.
VII.

The vestal drinking this doth burn
Now more than in her fun'ral urn;

Her fires, that with the sun kept race,
Are now extinguish'd by her face.

VIII.
The chymist, that himself doth still,<78.1>

Let him but tast this limbecks<78.2> bill,
And prove this sublimated bowl,

He'll swear it will calcine a soul.
IX.

Noble, and brave! now thou dost know
The false prepared decks below,

Dost thou the fatal liquor sup,
One drop, alas! thy barque blowes up.

X.
What airy country hast to save,

Whose plagues thou'lt bury in thy grave?
For even now thou seem'st to us

On this gulphs brink a Curtius.
XI.

And now th' art faln (magnanimous Fly)
In, where thine Ocean doth fry,

Like the Sun's son, who blush'd the flood
To a complexion of blood.

XII.
Yet, see! my glad auricular

Redeems thee (though dissolv'd) a star,
Flaggy<78.3> thy wings, and scorch'd thy thighs,

Thou ly'st a double sacrifice.
XIII.

And now my warming, cooling breath
Shall a new life afford in death;

See! in the hospital of my hand
Already cur'd, thou fierce do'st stand.

XIV.
Burnt insect! dost thou reaspire

The moist-hot-glasse and liquid fire?
I see 'tis such a pleasing pain,

Thou would'st be scorch'd and drown'd again.
<78.1> i.e. distil.

<78.2> Lovelace was by no means peculiar in the fondness which
he has shown in this poem and elsewhere for figures drawn from

the language of alchemy.
"Retire into thy grove of eglantine,

Where I will all those ravished sweets distill
Through Love's alembic, and with chemic skill

From the mix'd mass one sovereign balm derive."
Carew's POEMS (1640), ed. 1772, p. 77.

"----I will try
From the warm limbeck of my eye,

In such a method to distil
Tears on thy marble nature----"

Shirley's POEMS (Works by Dyce, vi. 407).
"Nature's Confectioner, the BEE,

Whose suckers are moist ALCHYMIE,
The still of his refining Mould,

Minting the garden into gold."
Cleveland's POEMS, ed. 1669, p. 4.

"Fisher is here with purple wing,
Who brings me to the Spring-head, where

Crystall is Lymbeckt all the year."
Lord Westmoreland's OTIA SACRA, 1648, p. 137,

<78.3> WEAK. The word was once not very uncommon in writings.
Bacon, Spenser, &c. use it; but it is now, I believe, confined

to Somersetshire and the bordering counties.
"LUKE. A south wind

Shall sooner softenmarble, and the rain,
That slides down gently from his flaggy wings,

O'erflow the Alps."
Massinger's CITY MADAM, 1658.

FEMALE GLORY.
Mongst the worlds wonders, there doth yet remain

One greater than the rest, that's all those o're again,
And her own self beside: A Lady, whose soft breast

Is with vast honours soul and virtues life possest.
Fair as original light first from the chaos shot,

When day in virgin-beams triumph'd, and night was not,
And as that breath infus'd in the new-breather good,

When ill unknown was dumb, and bad not understood;
Chearful, as that aspect at this world's finishing,

When cherubims clapp'd wings, and th' sons of Heaven did sing;
Chast as th' Arabian bird, who all the ayr denyes,<79.1>

And ev'n in flames expires, when with her selfe she lyes.
Oh! she's as kind as drops of new faln April showers,

That on each gentle breast spring fresh perfuming flowers;
She's constant, gen'rous, fixt; she's calm, she is the all

We can of vertue, honour, faith, or glory call,
And she is (whom I thus transmit to endless fame)

Mistresse oth' world and me, and LAURA is her name.
<79.1> The Phoenix.

A DIALOGUE.
LUTE AND VOICE.

L. Sing, Laura, sing, whilst silent are the sphears,
And all the eyes of Heaven are turn'd to ears.

V. Touch thy dead wood, and make each living tree
Unchain its feet, take arms, and follow thee.

CHORUS.
L. Sing. V. Touch. 0 Touch. L. 0 Sing.

BOTH. It is the souls, souls sole offering.
V. Touch the divinity of thy chords, and make

Each heart string tremble, and each sinew shake.
L. Whilst with your voyce you rarifie the air,

None but an host of angels hover here.
CHORUS. SING, TOUCH, &c.

V. Touch thy soft lute, and in each gentle thread
The lyon and the panthercaptive lead.

L. Sing, and in heav'n inthrone deposed love,
Whilst angels dance, and fiends in order move.

DOUBLE CHORUS.
What sacred charm may this then be

In harmonie,
That thus can make the angels wild,

The devils mild,
And teach<80.1> low hell to heav'n to swell,

And the high heav'n to stoop to hell?
<80.1> Original and Singer read REACH.

A MOCK CHARON.
DIALOGUE.

CHA. W.
W. Charon! thou slave! thou fooll! thou cavaleer!<81.1>

CHA. A slave! a fool! what traitor's voice I hear?
W. Come bring thy boat. CH. No, sir. W. No! sirrah, why?

CHA. The blest will disagree, and fiends will mutiny
At thy, at thy [un]numbred treachery.

W. Villain, I have a pass which who disdains,
I will sequester the Elizian plains.

CHA. Woes me, ye gentle shades! where shall I dwell?
He's come! It is not safe to be in hell.

CHORUS.
Thus man, his honor lost, falls on these shelves;

Furies and fiends are still true to themselves.
CHA. You must, lost fool, come in. W. Oh, let me in!

But now I fear thy boat will sink with my ore-weighty sin.
Where, courteous Charon, am I now? CHA. Vile rant!<81.2>

At the gates of thy supreme Judge Rhadamant.
DOUBLE CHORUS OF DIVELS.

Welcome to rape, to theft, to perjurie,


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