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Nor ever could.

And those of us who live herein
Are most as dead as seraphim

Though not as good.
My guardian angel is asleep

At least he doth no vigil keep
But far doth roam.

Then give me back my lonely farm
Where none alive did wish me harm,

Dear childhood home!
Dear Mother,--I am thrilling with unhappyness

this morning. I got that out of Cora The
Doctor's Wife whose husband's mother was very

cross and unfealing to her like Aunt M. to me. I
wish Hannah had come instead of me for it was

Hannah that was wanted and she is better than
I am and does not answer back so quick. Are

there any peaces of my buff calico. Aunt J. wants
enough to make a new waste button behind so I

wont look so outlandish. The stiles are quite pretty
in Riverboro and those at Meeting quite ellergant

more so than in Temperance.
This town is stilish, gay and fair,

And full of wellthy riches rare,
But I would pillow on my arm

The thought of my sweet Brookside Farm.
School is pretty good. The Teacher can answer

more questions than the Temperance one but not so
many as I can ask. I am smarter than all the girls

but one but not so smart as two boys. Emma Jane
can add and subtract in her head like a streek of

lightning and knows the speling book right through
but has no thoughts of any kind. She is in the

Third Reader but does not like stories in books. I
am in the Sixth Reader but just because I cannot

say the seven multiplication Table Miss Dearborn
threttens to put me in the baby primer class with

Elijah and Elisha Simpson little twins.
Sore is my heart and bent my stubborn pride,

With Lijah and with Lisha am I tied,
My soul recoyles like Cora Doctor's Wife,

Like her I feer I cannot bare this life.
I am going to try for the speling prize but fear

I cannot get it. I would not care but wrong speling
looks dreadful in poetry. Last Sunday when I

found seraphim in the dictionary I was ashamed I
had made it serrafim but seraphim is not a word you

can guess at like another long one outlandish in this
letter which spells itself. Miss Dearborn says use

the words you CAN spell and if you cant spell seraphim
make angel do but angels are not just the same

as seraphims. Seraphims are brighter whiter and
have bigger wings and I think are older and longer

dead than angels which are just freshly dead and
after a long time in heaven around the great white

throne grow to be seraphims.
I sew on brown gingham dresses every afternoon

when Emma Jane and the Simpsons are playing
house or running on the Logs when their mothers

do not know it. Their mothers are afraid they will
drown and Aunt M. is afraid I will wet my clothes

so will not let me either. I can play from half past
four to supper and after supper a little bit and Saturday

afternoons. I am glad our cow has a calf and it
is spotted. It is going to be a good year for apples

and hay so you and John will be glad and we can
pay a little more morgage. Miss Dearborn asked us

what is the object of edducation and I said the object
of mine was to help pay off the morgage. She told

Aunt M. and I had to sew extra for punishment because
she says a morgage is disgrace like stealing

or smallpox and it will be all over town that we have
one on our farm. Emma Jane is not morgaged nor

Richard Carter nor Dr. Winship but the Simpsons
are.

Rise my soul, strain every nerve,
Thy morgage to remove,

Gain thy mother's heartfelt thanks
Thy family's grateful love.

Pronounce family QUICK or it won't sound right
Your loving little friend

Rebecca
Dear John,--You remember when we tide the

new dog in the barn how he bit the rope and
howled I am just like him only the brick house is

the barn and I can not bite Aunt M. because I
must be grateful and edducation is going to be the

making of me and help you pay off the morgage
when we grow up. Your loving

Becky.
V

WISDOM'S WAYS
The day of Rebecca's arrival had been

Friday, and on the Monday following she
began her education at the school which

was in Riverboro Centre, about a mile distant.
Miss Sawyer borrowed a neighbor's horse and

wagon and drove her to the schoolhouse, interviewing
the teacher, Miss Dearborn, arranging for books,

and generally starting the child on the path that
was to lead to boundless knowledge. Miss Dearborn,

it may be said in passing, had had no special
preparation in the art of teaching. It came to her

naturally, so her family said, and perhaps for this
reason she, like Tom Tulliver's clergyman tutor,

"set about it with that uniformity of method and
independence of circumstances which distinguish the

actions of animals understood to be under the
immediate teaching of Nature." You remember the

beaver which a naturalist tells us "busied himself
as earnestly in constructing a dam in a room up

three pair of stairs in London as if he had been laying
his foundation in a lake in Upper Canada. It

was his function to build, the absence of water or of
possible progeny was an accident for which he was

not accountable." In the same manner did Miss
Dearborn lay what she fondly imagined to be

foundations in the infant mind.
Rebecca walked to school after the first morning.

She loved this part of the day's programme. When
the dew was not too heavy and the weather was fair

there was a short cut through the woods. She turned
off the main road, crept through uncle Josh Woodman's

bars, waved away Mrs. Carter's cows, trod the
short grass of the pasture, with its well-worn path

running through gardens of buttercups and white-
weed, and groves of ivory leaves and sweet fern.

She descended a little hill, jumped from stone to
stone across a woodland brook, startling the drowsy

frogs, who were always winking and blinking in the
morning sun. Then came the "woodsy bit," with

her feet pressing the slipperycarpet of brown pine
needles; the "woodsy bit" so full of dewy morning,

surprises,--fungous growths of brilliant orange and
crimson springing up around the stumps of dead

trees, beautiful things born in a single night; and
now and then the miracle of a little clump of waxen

Indian pipes, seen just quickly enough to be saved
from her careless tread. Then she climbed a stile,

went through a grassymeadow, slid under another
pair of bars, and came out into the road again. having

gained nearly half a mile.
How delicious it all was! Rebecca clasped her

Quackenbos's Grammar and Greenleaf's Arithmetic
with a joyful sense of knowing her lessons. Her

dinner pail swung from her right hand, and she
had a blissful consciousness of the two soda biscuits

spread with butter and syrup, the baked cup-custard,
the doughnut, and the square of hard gingerbread.

Sometimes she said whatever "piece" she was going
to speak on the next Friday afternoon.

"A soldier of the Legion lay dying in Algiers,
There was lack of woman's nursing, there was dearth of

woman's tears."
How she loved the swing and the sentiment of it!

How her young voice quivered whenever she came to
the refrain:--

"But we'll meet no more at Bingen, dear Bingen on the Rhine."
It always sounded beautiful in her ears, as she

sent her tearful little treble into the clear morning
air. Another early favorite (for we must remember

that Rebecca's only knowledge of the great world
of poetry consisted of the selections in vogue in

school readers) was:--
"Woodman, spare that tree!

Touch not a single bough!
In youth it sheltered me,

And I'll protect it now."
When Emma Jane Perkins walked through the

"short cut" with her, the two children used to render
this with appropriatedramatic action. Emma

Jane always chose to be the woodman because she
had nothing to do but raise on high an imaginary

axe. On the one occasion when she essayed the
part of the tree's romanticprotector, she represented

herself as feeling "so awful foolish" that she
refused to undertake it again, much to the secret

delight of Rebecca, who found the woodman's role
much too tame for her vaulting ambition. She

reveled in the impassioned appeal of the poet, and
implored the ruthlesswoodman to be as brutal as

possible with the axe, so that she might properly
put greater spirit into her lines. One morning, feeling

more frisky than usual, she fell upon her knees
and wept in the woodman's petticoat. Curiously

enough, her sense of proportion rejected this as
soon as it was done.

"That wasn't right, it was silly, Emma Jane; but
I'll tell you where it might come in--in Give me

Three Grains of Corn. You be the mother, and
I'll be the famishing Irish child. For pity's sake

put the axe down; you are not the woodman any
longer!"

"What'll I do with my hands, then?" asked
Emma Jane.

"Whatever you like," Rebecca answered wearily;
"you're just a mother--that's all. What does

YOUR mother do with her hands? Now here goes!
"`Give me three grains of corn, mother,

Only three grains of corn,
'T will keep the little life I have



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