doubly hot by the service of Four fierce hours.
A white flag from within the
fortress, and a parley--this dimly
perceptible through the
raging storm, nothing
audible in it--suddenly the sea rose immeasurably wider and higher,
and swept Defarge of the wine-shop over the lowered draw-bridge, past the
massive stone
outer walls, in among the eight great towers surrendered!
So resistless was the force of the ocean
bearing him on, that even to draw his breath or
turn his head was as
impracticable as if he had been struggling in the surf at the South
Sea, until he was landed in the outer court-yard of the Bastille. There, against an angle
of a wall, he made a struggle to look about him. Jacques Three was nearly at his side;
Madame Defarge, still-heading some of her women, was visible in the inner distance, and
her knife was in her hand. Everywhere was
tumult,
exultation, deafening and maniacal
bewilderment, astounding noise, yet furious dumb-show.
`The Prisoners!'
`The Records!'
`The secret cells!'
`The instruments of torture!'
`The Prisoners!'
Of all these cries, and ten thousand incoherencies, `The Prisoners!' was the Cry most
taken up by the sea that rushed in, as if there were an
eternity of people, as well as of
time and space. When the
foremost billows rolled past,
bearing the prison officers with
them, and threatening them all with instant death if any secret nook remained undisclosed,
Defarge laid his strong hand on the breast of one of these men--a man with a grey head,
who had a lighted torch in his hand--separated him from the rest, and got him between
himself and the wall.
`Show me the North Tower!' said Defarge. `Quick!'
`I will faithfully,' replied the man, `if you will come with me.
But there is no one there.'
`What is the meaning of One Hundred and Five, North Tower?' asked Defarge. `Quick!'
`The meaning, monsieur?'
`Does it mean a captive, or a place of
captivity? Or do you mean that I shall strike you
dead?'
`Kill him!' croaked Jacques Three, who had come close up.
`Monsieur, it is a cell.'
`Show it me!'
`Pass this way, then.'
Jacques Three, with his usual
craving on him, and evidently disappointed by the dialogue
taking a turn that did not seem to promise
bloodshed, held by Defarge's arm as he held by
the turnkey's. Their three heads had been close together during this brief
discourse, and
it had been as much as they could do to hear one another, even then: so tremendous was the
noise of the living ocean, in its irruption into the Fortress, and its inundation of the
courts and passages and staircases. All around outside, too, it beat the walls with a
deep,
hoarse roar, from which, occasionally, some
partial shouts of
tumult broke and
leaped into the air like spray.
Through
gloomy vaults where the light of day had never shone, past
hideous doors of dark
dens and cages, down cavernous flights of steps, and again up steep
rugged ascents of
stone and brick, more like dry waterfalls than staircases, Defarge, the turnkey, and
Jacques Three, linked hand and arm, went with all the speed they could make. Here and
there, especially at first, the inundation started on them and swept by; but when they had
done descending, and were winding and climbing up a tower, they were alone. Hemmed in here
by the
massivethickness of walls and arches, the storm within the
fortress and without
was only
audible to them in a dull, subdued way, as if the noise out of which they had
come had almost destroyed their sense of
hearing.
The turnkey stopped at a low door, put a key in a clashing lock, swung the door slowly
open, and said, as they all bent their heads and passed in:
`One hundred and five, North Tower!'
There was a small, heavily-grated, unglazed window high in the wall, with a stone screen
before it, so that the sky could be only seen by stooping low and looking up. There was a
small chimney, heavily barred across, a few feet within. There was a heap of old feathery
wood-ashes on the
hearth. There was a stool, and table, and a straw bed. There were the
four blackened walls, and a rusted iron ring in one of them.
`Pass that torch slowly along these walls, that I may see them,' said Defarge to the
turnkey.
The man obeyed, and Defarge followed the light closely with his eyes.
`Stop--Look here, Jacques!'
`A. M.!' croaked Jacques Three, as he read greedily.
`Alexandre Manette,' said Defarge in his ear, following the letters with his swart
forefinger, deeply engrained with
gunpowder. `And here he wrote ``a poor physician.'' And
it was he, without doubt, who scratched a
calendar on this stone. What is that in your
hand? A crowbar? Give it me!'
He had still the linstock of his gun in his own hand. He made a sudden exchange of the two
instruments, and turning on the worm-eaten stool and table, beat them to pieces in a few
blows.
`Hold the light higher!' he said, wrathfully, to the turnkey. `Look among those fragments
with care, Jacques. And see! Here is my knife,' throwing it to him; `rip open that bed,
and search the straw. Hold the light higher, you!'
With a menacing look at the turnkey he crawled upon the
hearth, and, peering up the
chimney, struck and prised at its sides with the crowbar, and worked at the iron
gratingacross it. In a few minutes, some
mortar and dust came dropping down, which he averted his
face to avoid; and in it, and in the old wood-ashes, and in a
crevice in the chimney into
which his weapon had slipped or wrought itself, he groped with a
cautious touch.
`Nothing in the wood, and nothing in the straw, Jacques?'
`Nothing.'
`Let us collect them together, in the middle of the cell. So! Light them, you!'
The turnkey fired the little pile, which blazed high and hot. Stooping again to come out
at the low-arched door, they left it burning, and retraced their way to the court-yard;
seeming to recover their sense of
hearing as they came down, until they were in the raging
flood once more.
They found it surging and tossing, in quest of Defarge himself. Saint Antoine was
clamorous to have its wine-shop keeper
foremost in the guard upon the governor who had
defended the Bastille and shot the people. Otherwise, the governor would not be marched to
the Hotel de Ville for judgment. Otherwise, the governor would escape, and the people's
blood (suddenly of some value, after many years of worthlessness) be unavenged.
In the howling
universe of passion and
contention that seemed to encompass this grim old
officer
conspicuous in his grey coat and red decoration, there was but one quite steady
figure, and that was a woman's. `See, there is my husband!' she cried, pointing him out.
`See Defarge!' She stood
immovable close to the grim old officer, and remained
immovableclose to him; remained
immovable close to him through the streets, as Defarge and the rest
bore him along; remained
immovable close to him when he was got near his
destination, and
began to be struck at from behind; remained
immovable close to him when the long-gathering
rain of stabs and blows fell heavy; was so close to him when he dropped dead under it,
that, suddenly
animated, she put her foot upon his neck, and with her cruel knife-long
`ready-hewed off his head.
The hour was come, when Saint Antoine was to execute his horrible idea of hoisting up men
for lamps to show what he could be and do. Saint Antoine's blood was up, and the blood of
tyranny and
domination by the iron hand was down--down on the steps of the Hotel de Ville
where the governor's body lay--down on the sole of the shoe of Madame Defarge where she
had trodden on the body to steady it for mutilation. `Lower the lamp yonder!' cried Saint
Antoine, after glaring round for a new means of death; `here is one of his soldiers to be
left on guard!' The swinging
sentinel was posted, and the sea rushed on.
The sea of black and threatening waters, and of
destructive upheaving of wave against
wave, whose depths were yet unfathomed and whose forces were yet unknown. The remorseless
sea of turbulently swaying shapes, voices of
vengeance, and faces hardened in the furnaces
of suffering until the touch of pity could make no mark on them.
But, in the ocean of faces where every fierce and furious expression was in vivid life,
there were two groups of faces--each seven in number--so fixedly contrasting with the
rest, that never did sea roll which bore more
memorable wrecks with it. Seven faces of
prisoners, suddenly released by the storm that had burst their tomb, were carried high
overhead: all scared, all lost, all wondering and amazed, as if the Last Day were come,
and those who rejoiced around them were lost spirits. Other seven faces there were,
carried higher, seven dead faces, whose drooping eyelids and half-seen eyes awaited the
Last Day. Impassive faces, yet with a suspended--not an abolished--expression on them;
faces, rather, in a fearful pause, as having yet to raise the dropped lids of the eyes,
and bear witness with the bloodless lips, `THOU DIDST IT!'
Seven prisoners released, seven gory heads on pikes, the keys of the
accursedfortress of
the eight strong towers, some discovered letters and other memorials of prisoners of old
time, long dead of broken hearts,--such, and such-like, the loudly echoing footsteps of
Saint Antoine
escort through the Paris streets in mid-July, one thousand seven hundred and
eighty-nine. Now, Heaven defeat the fancy of Lucie Darnay, and keep these feet far out of
her life! For, they are
headlong, mad, and dangerous; and in the years so long after the
breaking of the cask at Defarge's wine-shop door, they are not easily purified when once
stained red.
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