酷兔英语

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the sea in a great ship with a chimney that smoked- how it did smoke!-


and I was sick, and so was Sophie, and so was Mr. Rochester. Mr.


Rochester lay down on a sofa in a pretty room called the salon, and


Sophie and I had little beds in another place. I nearly fell out of


mine; it was like a shelf. And Mademoiselle- what is your name?'


'Eyre- Jane Eyre.'


'Aire? Bah! I cannot say it. Well, our ship stopped in the morning,


before it was quite daylight, at a great city- a huge city, with


very dark houses and all smoky; not at all like the pretty clean


town I came from; and Mr. Rochester carried me in his arms over a


plank to the land, and Sophie came after, and we all got into a coach,


which took us to a beautiful large house, larger than this and


finer, called an hotel. We stayed there nearly a week: I and Sophie


used to walk every day in a great green place full of trees, called


the Park; and there were many children there besides me, and a pond


with beautiful birds in it, that I fed with crumbs.'


'Can you understand her when she runs on so fast?' asked Mrs.


Fairfax.


I understood her very well, for I had been accustomed to the fluent


tongue of Madame Pierrot.


'I wish,' continued the good lady, 'you would ask her a question or


two about her parents: I wonder if she remembers them?'


'Adele,' I inquired, 'with whom did you live when you were in


that pretty clean town you spoke of?'


'I lived long ago with mama; but she is gone to the Holy Virgin.


Mama used to teach me to dance and sing, and to say verses. A great


many gentlemen and ladies came to see mama, and I used to dance before


them, or to sit on their knees and sing to them: I liked it. Shall I


let you hear me sing now?'


She had finished her breakfast, so I permitted her to give a


specimen of her accomplishments. Descending from her chair, she came


and placed herself on my knee; then, folding her little hands demurely


before her, shaking back her curls and lifting her eyes to the


ceiling, she commenced singing a song from some opera. It was the


strain of a forsaken lady, who, after bewailing the perfidy of her


lover, calls pride to her aid; desires her attendant to deck her in


her brightest jewels and richest robes, and resolves to meet the false


one that night at a ball, and prove to him, by the gaiety of her


demeanour, how little his desertion has affected her.


The subject seemed strangely chosen for an infant singer; but I


suppose the point of the exhibition lay in hearing the notes of love


and jealousy warbled with the lisp of childhood; and in very bad taste


that point was: at least I thought so.


Adele sang the canzonette tunefully enough, and with the naivete of


her age. This achieved, she jumped from my knee and said, 'Now,


Mademoiselle, I will repeat you some poetry.'


Assuming an attitude, she began 'La Ligue des Rats: fable de La


Fontaine.' She then declaimed the little piece with an attention to


punctuation and emphasis, a flexibility of voice and an


appropriateness of gesture, very unusual indeed at her age, and


which proved she had been carefully trained.


'Was it your mama who taught you that piece?' I asked.


'Yes, and she just used to say it in this way: "Qu'avez vous


donc? lui dit un de ces rats; parlez!" She made me lift my hand- so-


to remind me to raise my voice at the question. Now shall I dance


for you?'


'No, that will do: but after your mama went to the Holy Virgin,


as you say, with whom did you live then?'


'With Madame Frederic and her husband: she took care of me, but she


is nothing related to me. I think she is poor, for she had not so fine


a house as mama. I was not long there. Mr. Rochester asked me if I


would like to go and live with him in England, and I said yes; for I


knew Mr. Rochester before I knew Madame Frederic, and he was always


kind to me and gave me pretty dresses and toys: but you see he has not


kept his word, for he has brought me to England, and now he is gone


back again himself, and I never see him.'


After breakfast, Adele and I withdrew to the library, which room,


it appears, Mr. Rochester had directed should be used as the


schoolroom. Most of the books were locked up behind glass doors; but


there was one bookcase left open containing everything that could be


needed in the way of elementary works, and several volumes of light


literature, poetry, biography, travels, a few romances, etc. I suppose


he had considered that these were all the governess would require


for her private perusal; and, indeed, they contented me amply for


the present; compared with the scanty pickings I had now and then been


able to glean at Lowood, they seemed to offer an abundant harvest of


entertainment and information. In this room, too, there was a


cabinet piano, quite new and of superior tone; also an easel for


painting and a pair of globes.


I found my pupil sufficiently docile, though disinclined to


apply: she had not been used to regular occupation of any kind. I felt


it would be injudicious to confine her too much at first; so, when I


had talked to her a great deal, and got her to learn a little, and


when the morning had advanced to noon, I allowed her to return to


her nurse. I then proposed to occupy myself till dinner-time in


drawing some little sketches for her use.


As I was going upstairs to fetch my portfolio and pencils, Mrs.


Fairfax called to me: 'Your morning school-hours are over now, I


suppose,' said she. She was in a room the folding doors of which stood


open: I went in when she addressed me. It was a large, stately


apartment, with purple chairs and curtains, a Turkey carpet,


walnut-panelled walls, one vast window rich in stained glass, and a


lofty ceiling, nobly moulded. Mrs. Fairfax was dusting some vases of


fine purple spar, which stood on a sideboard.


'What a beautiful room!' I exclaimed, as I looked round; for I


had never before seen any half so imposing.


'Yes; this is the dining-room. I have just opened the window, to


let in a little air and sunshine; for everything gets so damp in


apartments that are seldom inhabited; the drawing-room yonder feels


like a vault.'


She pointed to a wide arch corresponding to the window, and hung


like it with a Tyrian-dyed curtain, now looped up. Mounting to it by


two broad steps, and looking through, I thought I caught a glimpse


of a fairy place, so bright to my novice-eyes appeared the view


beyond. Yet it was merely a very pretty drawing-room, and within it


a boudoir, both spread with white carpets, on which seemed laid


brilliant garlands of flowers; both ceiled with snowy mouldings of


white grapes and vine-leaves, beneath which glowed in rich contrast


crimson couches and ottomans; while the ornaments on the pale Parian


mantelpiece were of sparkling Bohemian glass, ruby red; and between


the windows large mirrors repeated the general blending of snow and


fire.


'In what order you keep these rooms, Mrs. Fairfax!' said I. 'No


dust, no canvas coverings: except that the air feels chilly, one would


think they were inhabited daily.'


'Why, Miss Eyre, though Mr. Rochester's visits here are rare,


they are always sudden and unexpected; and as I observed that it put


him out to find everything swathed up, and to have a bustle of


arrangement on his arrival, I thought it best to keep the rooms in


readiness.'


'Is Mr. Rochester an exacting, fastidious sort of man?'


'Not particularly so; but he has a gentleman's tastes and habits,


and he expects to have things managed in conformity to them.'


'Do you like him? Is he generally liked?'


'Oh, yes; the family have always been respected here. Almost all


the land in this neighbourhood, as far as you can see, has belonged to


the Rochesters time out of mind.'


'Well, but, leaving his land out of the question, do you like


him? Is he liked for himself?'


'I have no cause to do otherwise than like him; and I believe he is


considered a just and liberal landlord by his tenants: but he has


never lived much amongst them.'


'But has he no peculiarities? What, in short, is his character?'


'Oh! his character is unimpeachable, I suppose. He is rather


peculiar, perhaps: he has travelled a great deal, and seen a great


deal of the world, I should think. I daresay he is clever, but I never


had much conversation with him.'


'In what way is he peculiar?'


'I don't know- it is not easy to describe- nothing striking, but


you feel it when he speaks to you; you cannot be always sure whether


he is in jest or earnest, whether he is pleased or the contrary; you


don't thoroughly understand him, in short- at least, I don't: but it


is of no consequence, he is a very good master.'


This was all the account I got from Mrs. Fairfax of her employer


and mine. There are people who seem to have no notion of sketching a


character, or observing and describing salient points, either in


persons or things: the good lady evidently belonged to this class;


my queries puzzled, but did not draw her out. Mr. Rochester was Mr.


Rochester in her eyes; a gentleman, a landed proprietor- nothing more:


she inquired and searched no further, and evidently wondered at my


wish to gain a more definite notion of his identity.


When we left the dining-room she proposed to show me over the


rest of the house; and I followed her upstairs and downstairs,


admiring as I went; for all was well arranged and handsome. The


large front chambers I thought especially grand: and some of the


third-storey rooms, though dark and low, were interesting from their


air of antiquity. The furniture once appropriated to the lower


apartments had from time to time been removed here, as fashions


changed: and the imperfect light entering by their narrow casement


showed bed-steads of a hundred years old; chests in oak or walnut,


looking, with their strange carvings of palm branches and cherubs'


heads, like types of the Hebrew ark; rows of venerable chairs,


high-backed and narrow; stools still more antiquated, on whose


cushioned tops were yet apparent traces of half-effaced


embroideries, wrought by fingers that for two generations had been


coffin-dust. All these relics gave to the third storey of Thornfield


Hall the aspect of a home of the past: a shrine of memory. I liked the


hush, the gloom, the quaintness of these retreats in the day; but I by


no means coveted a night's repose on one of those wide and heavy beds:


shut in, some of them, with doors of oak; shaded, others, with wrought


old English hangings crusted with thick work, portraying effigies of


strange flowers, and stranger birds, and strangest human beings,-


all which would have looked strange, indeed, by the pallid gleam of


moonlight.


'Do the servants sleep in these rooms?' I asked.


'No; they occupy a range of smaller apartments to the back; no


one ever sleeps here: one would almost say that, if there were a ghost


at Thornfield Hall, this would be its haunt.'


'So I think: you have no ghost, then?'


'None that I ever heard of,' returned Mrs. Fairfax, smiling.


'Nor any traditions of one? no legends or ghost stories?'


'I believe not. And yet it is said the Rochesters have been


rather a violent than a quiet race in their time: perhaps, though,


that is the reason they rest tranquilly in their graves now.'


'Yes- "after life's fitful fever they sleep well,"' I muttered.


'Where are you going now, Mrs. Fairfax?' for she was moving away.


'On to the leads; will you come and see the view from thence?' I


followed still, up a very narrow staircase to the attics, and thence


by a ladder and through a trap-door to the roof of the hall. I was now


on a level with the crow colony, and could see into their nests.


Leaning over the battlements and looking far down, I surveyed the


grounds laid out like a map: the bright and velvet lawn closely


girdling the grey base of the mansion; the field, wide as a park,


dotted with its ancient timber; the wood, dun and sere, divided by a


path visibly overgrown, greener with moss than the trees were with


foliage; the church at the gates, the road, the tranquil hills, all


reposing in the autumn day's sun; the horizon bounded by a


propitious sky, azure, marbled with pearly white. No feature in the


scene was extraordinary, but all was pleasing. When I turned from it


and repassed the trap-door, I could scarcely see my way down the


ladder; the attic seemed black as a vault compared with that arch of


blue air to which I had been looking up, and to that sunlit scene of


grove, pasture, and green hill, of which the hall was the centre,


and over which I had been gazing with delight.


Mrs. Fairfax stayed behind a moment to fasten the trap-door; I,


by dint of groping, found the outlet from the attic, and proceeded


to descend the narrow garretstaircase. I lingered in the long passage


to which this led, separating the front and back rooms of the third


storey: narrow, low, and dim, with only one little window at the far


end, and looking, with its two rows of small black doors all shut,


like a corridor in some Bluebeard's castle.


While I paced softly on, the last sound I expected to hear in so


still a region, a laugh, struck my ear. It was a curious laugh;


distinct, formal, mirthless. I stopped: the sound ceased, only for


an instant; it began again, louder: for at first, though distinct,


it was very low. It passed off in a clamorous peal that seemed to wake


an echo in every lonely chamber; though it originated but in one,


and I could have pointed out the door whence the accents issued.


'Mrs. Fairfax!' I called out: for I now heard her descending the


great stairs. 'Did you hear that loud laugh? Who is it?'


'Some of the servants, very likely,' she answered: 'perhaps Grace


Poole.'


'Did you hear it?' I again inquired.


'Yes, plainly: I often hear her: she sews in one of these rooms.


Sometimes Leah is with her; they are frequently noisy together.'


The laugh was repeated in its low, syllabic tone, and terminated in


an odd murmur.


'Grace!' exclaimed Mrs. Fairfax.


I really did not expect any Grace to answer; for the laugh was as


tragic, as preternatural a laugh as any I ever heard; and, but that it


was high noon, and that no circumstance of ghostliness accompanied the


curious cachinnation; but that neither scene nor season favoured fear,


I should have been superstitiously afraid. However, the event showed


me I was a fool for entertaining a sense even of surprise.


The door nearest me opened, and a servant came out,- a woman of


between thirty and forty; a set, square-made figure, red-haired, and


with a hard, plain face: any apparition less romantic or less


ghostly could scarcely be conceived.


'Too much noise, Grace,' said Mrs. Fairfax. 'Remember


directions!' Grace curtseyed silently and went in.


'She is a person we have to sew and assist Leah in her


housemaid's work,' continued the widow; 'not altogether


unobjectionable in some points, but she does well enough. By the


bye, how have you got on with your new pupil this morning?'


The conversation, thus turned on Adele, continued till we reached


the light and cheerful region below. Adele came running to meet us


in the hall, exclaiming-


'Mesdames, vous etes servies!' adding, 'J'ai bien faim, moi!'


We found dinner ready, and waiting for us in Mrs. Fairfax's room.








关键字:简爱

生词表:


  • warming [´wɔ:miŋ] 移动到这儿单词发声 n.暖和;加温 四级词汇

  • numbness [´nʌmnis] 移动到这儿单词发声 n.麻木;愚蠢 六级词汇

  • contracted [kən´træktid] 移动到这儿单词发声 a.收缩了的;缩略的 六级词汇

  • tranquil [´træŋkwil] 移动到这儿单词发声 a.平静的,稳定的 六级词汇

  • waiter [´weitə] 移动到这儿单词发声 n.侍者,服务员 四级词汇

  • inexperienced [,iniks´piəriənst] 移动到这儿单词发声 a.缺乏经验的 六级词汇

  • conveyance [kən´veiəns] 移动到这儿单词发声 n.运送;传达;传播 四级词汇

  • vehicle [´vi:ikəl] 移动到这儿单词发声 n.车辆;媒介物 四级词汇

  • leisurely [´leʒəli] 移动到这儿单词发声 a.从容地,慢慢地 四级词汇

  • dashing [´dæʃiŋ] 移动到这儿单词发声 a.勇猛的;生气勃勃的 六级词汇

  • amiable [´eimiəbəl] 移动到这儿单词发声 a.亲切的,温和的 四级词汇

  • magnitude [´mægnitju:d] 移动到这儿单词发声 n.宏大;重要性;大小 四级词汇

  • populous [´pɔpjuləs] 移动到这儿单词发声 a.人口稠密的;众多的 六级词汇

  • stirring [´stə:riŋ] 移动到这儿单词发声 a.活跃的;热闹的 四级词汇

  • extended [iks´tendid] 移动到这儿单词发声 a.伸长的;广大的 六级词汇

  • verily [´verili] 移动到这儿单词发声 ad.真实的;肯定地 四级词汇

  • illumination [i,lju:mi´neiʃən] 移动到这儿单词发声 n.照明;阐明 六级词汇

  • elderly [´eldəli] 移动到这儿单词发声 a. 较老的,年长的 四级词汇

  • muslin [´mʌzlin] 移动到这儿单词发声 n.平纹细布,薄纱织物 四级词汇

  • wanting [´wɔntiŋ, wɑ:n-] 移动到这儿单词发声 a.短缺的;不足的 六级词汇

  • governess [´gʌvənis] 移动到这儿单词发声 n.女家庭教师 六级词汇

  • grandeur [´grændʒə] 移动到这儿单词发声 n.伟大;富丽;壮观 四级词汇

  • tedious [´ti:diəs] 移动到这儿单词发声 a.冗长的;乏味的 四级词汇

  • recollect [rekə´lekt] 移动到这儿单词发声 v.重新集合;恢复 四级词汇

  • commencement [kə´mensmənt] 移动到这儿单词发声 n.开始;毕业典礼(日) 六级词汇

  • considerate [kən´sidərit] 移动到这儿单词发声 a.考虑周到的;体谅的 六级词汇

  • readiness [´redinis] 移动到这儿单词发声 n.准备就绪;愿意 四级词汇

  • upstairs [,ʌp´steəz] 移动到这儿单词发声 ad.在楼上 a.楼上的 四级词汇

  • staircase [´steəkeis] 移动到这儿单词发声 n.楼梯 =stairway 四级词汇

  • bodily [´bɔdili] 移动到这儿单词发声 a.身体的 ad.亲自 四级词汇

  • bedside [´bedsaid] 移动到这儿单词发声 n.床边 a.护理的 四级词汇

  • chintz [tʃints] 移动到这儿单词发声 n.&a.擦光印花布(的) 六级词汇

  • indefinite [in´definit] 移动到这儿单词发声 a.模糊的;无限期的 六级词汇

  • logical [´lɔdʒikəl] 移动到这儿单词发声 a.逻辑(上)的 四级词汇

  • fitting [´fitiŋ] 移动到这儿单词发声 a.适当的 n.试衣 六级词汇

  • recoil [ri´kɔil] 移动到这儿单词发声 vi.&n.退缩;弹回 六级词汇

  • imposing [im´pəuziŋ] 移动到这儿单词发声 a.壮丽的,堂皇的 六级词汇

  • seeming [´si:miŋ] 移动到这儿单词发声 a.表面上的 n.外观 四级词汇

  • permanently [´pə:mənəntli] 移动到这儿单词发声 ad.永久地;持久地 四级词汇

  • universally [,ju:ni´və:səli] 移动到这儿单词发声 ad.普遍地 四级词汇

  • dependant [di´pendənt] 移动到这儿单词发声 n.被赡养者;依赖别人 六级词汇

  • mademoiselle [,mædəmə´zel] 移动到这儿单词发声 n.小姐;法国女教师 六级词汇

  • forsaken [fə´seik] 移动到这儿单词发声 forsake的过去分词 六级词汇

  • gaiety [´geəti] 移动到这儿单词发声 n.欢乐;乐事;华丽 六级词汇

  • demeanour [di´mi:nə] 移动到这儿单词发声 n.行为;举止;态度 四级词汇

  • desertion [di´zə:ʃən] 移动到这儿单词发声 n.离开,遗弃;潜逃 六级词汇

  • affected [ə´fektid] 移动到这儿单词发声 a.做作的;假装的 六级词汇

  • schoolroom [´sku:lru:m, -rum] 移动到这儿单词发声 n.教室 四级词汇

  • bookcase [´buk-keis] 移动到这儿单词发声 n.书架(箱) 六级词汇

  • elementary [,eli´mentəri] 移动到这儿单词发声 a.基本的;初级的 四级词汇

  • biography [bai´ɔgrəfi] 移动到这儿单词发声 n.传记(文学) 四级词汇

  • drawing [´drɔ:iŋ] 移动到这儿单词发声 n.画图;制图;图样 四级词汇

  • corresponding [,kɔri´spɔndiŋ] 移动到这儿单词发声 a.符合的;相当的 四级词汇

  • exacting [ig´zæktiŋ] 移动到这儿单词发声 a.苛求的;严格的 六级词汇

  • conformity [kən´fɔ:miti] 移动到这儿单词发声 n.依照;适合;一致(点) 六级词汇

  • identity [ai´dentiti] 移动到这儿单词发声 n.身份;同一性;一致 六级词汇

  • antiquity [æn´tikwiti] 移动到这儿单词发声 n.太古;古代;古迹 四级词汇

  • imperfect [im´pə:fikt] 移动到这儿单词发声 a.不完全的;未完成的 四级词汇

  • casement [,keismənt] 移动到这儿单词发声 n.窗扉 四级词汇

  • walnut [´wɔ:lnʌt] 移动到这儿单词发声 n.胡桃(树,木) 四级词汇

  • venerable [´venərəbəl] 移动到这儿单词发声 a.可尊敬的;森严的 四级词汇

  • garret [´gærit] 移动到这儿单词发声 n.阁楼,顶楼 四级词汇

  • clamorous [´klæmərəs] 移动到这儿单词发声 a.喧闹的;吵吵嚷嚷的 六级词汇

  • whence [wens] 移动到这儿单词发声 ad.从何处;从那里 四级词汇

  • favoured [´feivəd] 移动到这儿单词发声 a.有利的,喜爱的 四级词汇

  • apparition [,æpə´riʃən] 移动到这儿单词发声 n.(幽灵)出现;鬼;幻影 六级词汇

  • ghostly [´gəustli] 移动到这儿单词发声 a.鬼的;朦胧的 六级词汇





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