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    OLE THE TOWER-KEEPER

   1872

   FAIRY TALES OF HANS CHRISTIAN ANDERSEN

   OLE THE TOWER-KEEPER

   by Hans Christian Andersen

   "IN the world it's always going up and down; and now I can't go up

   any higher!" So said Ole the tower-keeper. "Most people have to try

   both the ups and the downs; and, rightly considered, we all get to

   be watchmen at last, and look down upon life from a height."

   Such was the speech of Ole, my friend, the old tower-keeper, a

   strange, talkative old fellow, who seemed to speak out everything that

   came into his head, and who for all that had many a serious thought

   deep in his heart. Yes, he was the child of respectable people, and

   there were even some who said that he was the son of a privy

   councillor, or that he might have been. He had studied, too, and had

   been assistant teacher and deputy clerk; but of what service was all

   that to him? In those days he lived in the clerk's house, and was to

   have everything in the house- to be at free quarters, as the saying

   is; but he was still, so to speak, a fine young gentleman. He wanted

   to have his boots cleaned with patent blacking, and the clerk could

   only afford ordinary grease; and upon that point they split. One spoke

   of stinginess, the other of vanity, and the blacking became the

   black cause of enmity between them, and at last they parted.

   This is what he demanded of the world in general, namely, patent

   blacking, and he got nothing but grease. Accordingly, he at last

   drew back from all men, and became a hermit; but the church tower is

   the only place in a great city where hermitage, office and bread can

   be found together. So he betook himself up thither, and smoked his

   pipe as he made his solitary rounds. He looked upward and downward, and had his own thoughts, and told in his own way of what he read in books and in himself. I often lent him books- good books; and you may know by the company he keeps. He loved neither the English governess novels nor the French ones, which he called a mixture of empty wind and raisin-stalks: he wanted biographies, and descriptions of the wonders of, the world. I visited him at least once a year, generally directly after New Year's day, and then he always spoke of this and that which the change of the year had put into his head.

   I will tell the story of three of these visits, and will reproduce

   his own words whenever I can remember them.

   FIRST VISIT

   Among the books which I had lately lent Ole, was one which had

   greatly rejoiced and occupied him. It was a geological book,

   containing an account of the boulders.

   "Yes, they're rare old fellows, those boulders!" he said; "and

   to think that we should pass them without noticing them! And over

   the street pavement, the paving stones, those fragments of the

   oldest remains of antiquity, one walks without ever thinking about

   them. I have done the very thing myself. But now I look respectfully

   at every paving-stone. Many thanks for the book! It has filled me with

   thought, and has made me long to read more on the subject. The romance of the earth is, after all, the most wonderful of all romances. It's a pity one can't read the first volume of it, because it is written in a

   language that we don't understand. One must read in the different

   strata, in the pebble-stones, for each separate period. Yes, it is a

   romance, a very wonderful romance, and we all have our place in it.

   We grope and ferret about, and yet remain where we are; but the ball

   keeps turning, without emptying the ocean over us; the clod on which

   we move about, holds, and does not let us through. And then it's a

   story that has been acting for thousands upon thousands of years and

   is still going on. My best thanks for the book about the boulders.

   Those are fellows indeed! They could tell us something worth

   hearing, if they only knew how to talk. It's really a pleasure now and

   then to become a mere nothing, especially when

  a man is as highly

   placed as I am. And then to think that we all, even with patent

   lacquer, are nothing more than insects of a moment on that ant-hill

   the earth, though we may be insects with stars and garters, places and

   offices! One feels quite a novice beside these venerable

   million-year-old boulders. On last New Year's eve I was reading the

   book, and had lost myself in it so completely, that I forgot my

   usual New Year's diversion, namely, the wild hunt to Amack. Ah, you

   don't know what that is!

   "The journey of the witches on broomsticks is well enough known-

   that journey is taken on St. John's eve, to the Brocken; but we have a

   wild journey, also which is national and modern, and that is the

   journey to Amack on the night of the New Year. All indifferent poets

   and poetesses, musicians, newspaper writers, and artistic

   notabilities,- I mean those who are no good,- ride in the New Year's

   night through the air to Amack. They sit backwards on their painting

   brushes or quill pens, for steel pens won't bear them- they're too

   stiff. As I told you, I see that every New Year's night, and could

   mention the majority of the riders by name, but I should not like to

   draw their enmity upon myself, for they don't like people to talk

   about their ride to Amack on quill pens. I've a kind of niece, who

   is a fishwife, and who, as she tells me, supplies three respectable

   newspapers with the terms of abuse and vituperation they use, and

   she has herself been at Amack as an invited guest; but she was carried

   out thither, for she does not own a quill pen, nor can she ride. She

   has told me all about it. Half of what she said is not true, but the

   other half gives us information enough. When she was out there, the

   festivities began with a song; each of the guests had written his

   own song, and each one sang his own song, for he thought that the

   best, and it was all one, all the same melody. Then those came

   marching up, in little bands, who are only busy with their mouths.

   There were ringing bells that rang alternately; and then came the

   little drummers that beat their tattoo in the family circle; and

   acquaintance was made with those who write without putting their

   names, which here means as much as using grease instead of patent

   blacking; and then there was the beadle with his boy, and the boy

   was worst off, for in general he gets no notice taken of him; then,

   too, there was the good street sweeper with his cart, who turns over

   the dust-bin, and calls it 'good, very good, remarkably good.' And

   in the midst of the pleasure that was afforded by the mere meeting

   of these folks, there shot up out of the great dirt-heap at Amack a

   stem, a tree, an immense flower, a great mushroom, a perfect roof,

   which formed a sort of warehouse for the worthy company, for in it

   hung everything they had given to the world during the Old Year. Out

   of the tree poured sparks like flames omitted taking

   my look at the guests, I bowled away on the boulders, rolled back

   through millions of years, and saw the stones break loose high up in

   the north, saw them drifting about on icebergs, long before Noah's ark was constructed, saw them sink down to the bottom of the sea, and re-appear with a sand-bank, with that one that peered forth from the flood and said, 'This shall be Zealand!' I saw them become the

   dwelling-place of birds that are unknown to us, and then become the

   seat of wild chiefs of whom we know nothing, until with their axes

   they cut their Runic signs into a few of these stones, which then came

   into the calendar of time. But as for me, I had gone quite beyond

   all lapse of time, and had become a cipher and a nothing. Then three

   or four beautiful falling stars came down, which cleared the air,

   and gave my thoughts another direction. You know what a falling star

   is, do you not? The learned men are not at all clear about it. I

   have my own ideas about shooting stars, as the common people in many parts call them, and my idea is this: How often are silent

   thanksgivings offered up for one who has done a good and noble action!

   The thanks are often speechless, but they are not lost for all that. I

   think these thanks are caught up, and the sunbeams bring the silent,

   hidden thankfulness over the head of the benefactor; and if it be a

   whole people that has been expressing its gratitude through a long

   lapse of time, the thankfulness appears as a nosegay of flowers, and

   at length falls in the form of a shooting star over the good man's

   grave. I am always very much pleased when I see a shooting star,

   especially in the New Year's night, and then find out for whom the

   gift of gratitude was intended. Lately a gleaming star fell in the

   southwest, as a tribute of thanksgiving to many- many! 'For whom was that star intended?' thought I. It fell, no doubt, on the hill by

   the Bay of Plensberg, where the Danebrog waves over the graves of

   Schleppegrell, Lasloes, and their comrades. One star also fell in

   the midst of the land, fell upon Soro, a flower on the grave of

   Holberg, the thanks of the year from a great many - thanks for his

   charming plays!

   "It is a great and pleasant thought to know that a shooting star

   falls upon our graves. On mine certainly none will fall- no sunbeam

   brings thanks to me, for here there is nothing worthy of thanks. I

   shall not get the patent lacquer," said Ole, "for my fate on earth

   is only grease, after all."

   SECOND VISIT

   It was New Year's day, and I went up on the tower. Ole spoke of

   the toasts that were drunk on the transition from the Old Year into

   the New- from one grave into the other, as he said. And he told me a

   story about the glasses, and this story had a very deep meaning. It

   was this:

   "When on the New Year's night the clock strikes twelve, the people

   at the table rise up with full glasses in their hands, and drain these

   glasses, and drink success to the New Year. They begin the year with

   the glass in their hands; that is a good beginning for drunkards. They

   begin the New Year by going to bed, and that's a good beginning for

   drones. Sleep is sure to play a great part in the New Year, and the

   glass likewise. Do you know what dwells in the glass?" asked Ole. "I

   will tell you. There dwell in the glass, first, health, and then

   pleasure, then the most complete sensual delight; and misfortune and

   the bitterest woe dwell in the glass also. Now, suppose we count the

   glasses- of course I count the different degrees in the glasses for

   different people.

   "You see, the first glass, that's the glass of health, and in that

   the herb of health is found growing. Put it up on the beam in the

   ceiling, and at the end of the year you may be sitting in the arbor of

   health.

   "If you take the second glass- from this a little bird soars

   upward, twittering in guileless cheerfulness, so that a man may listen

   to his song, and perhaps join in 'Fair is life! no downcast looks!

   Take courage, and march onward!'

   "Out of the third glass rises a little winged urchin, who cannot

   certainly be called an angel child, for there is goblin blood in his

   veins, and he has the spirit of a goblin- not wishing to hurt or

   harm you, indeed, but very ready to play off tricks upon you. He'll

   sit at your ear and whisper merry thoughts to you; he'll creep into

   your heart and warm you, so that you grow very merry, and become a wit, so far as the wits of the others can judge.

   "In the fourth glass is neither herb, bird, nor urchin. In that

   glass is the pause drawn by reason, and one may never go beyond that sign.

   "Take the fifth glass, and you will weep at yourself, you will

   feel such a deep emotion; or it will affect you in a different way.

   Out of the glass there will spring with a bang Prince Carnival, nine

   times and extravagantly merry. He'll draw you away with him; you'll

   forget your dignity, if you have any, and you'll forget more than

   you should or ought to forget. All is dance, song and sound: the masks will carry you away with them, and the daughters of vanity, clad in silk and satin, will come with loose hair and alluring charms; but tear yourself away if you can!

   "The sixth glass! Yes, in that glass sits a demon, in the form

   of a little, well dressed, attractive and very fascinating man, who

   thoroughly understands you, agrees with you in everything, and becomes quite a second self to you. He has a lantern with him, to give you light as he accompanies you home. There is an old legend about a saint who was allowed to choose one of the seven deadly sins, and who accordingly chose drunkenness, which appeared to him the least, but which led him to commit all the other six. The man's blood is

   mingled with that of the demon. It is the sixth glass, and with that

   the germ of all evil shoots up within us; and each one grows up with a

   strength like that of the grains of mustard-seed, and shoots up into a

   tree, and spreads over the whole world: and most people have no choice but to go into the oven, to be re-cast in a new form.

   "That's the history of the glasses," said the tower-keeper Ole,

   "and it can be told with lacquer or only with grease; but I give it

   you with both!"

   THIRD VISIT

   On this occasion I chose the general "moving-day" for my visit

   to Ole, for on that day it is anything but agreeable down in the

   streets in the town; for they are full of sweepings, shreds, and

   remnants of all sorts, to say nothing of the cast-off rubbish in which

   one has to wade about. But this time I happened to see two children

   playing in this wilderness of sweepings. They were playing at "going

   to bed," for the occasion seemed especially favorable for this

   sport. They crept under the straw, and drew an old bit of ragged

   curtain over themselves by way of coverlet. "It was splendid!" they

   said; but it was a little too strong for me, and besides, I was

   obliged to mount up on my visit to Ole.

   "It's moving-day to day," he said; "streets and houses are like

   a dust-bin- a large dust-bin; but I'm content with a cartload. I may

   get something good out of that, and I really did get something good

   out of it once. Shortly after Christmas I was going up the street;

   it was rough weather, wet and dirty- the right kind of weather to

   catch cold in. The dustman was there with his cart, which was full,

   and looked like a sample of streets on moving-day. At the back of

   the cart stood a fir tree, quite green still, and with tinsel on its

   twigs; it had been used on Christmas eve, and now it was thrown out

   into the street, and the dustman had stood it up at the back of his

   cart. It was droll to look at, or you may say it was mournful- all

   depends on what you think ofwhen you see it; and I thought about

   it, and thought this and that of many things that were in the cart: or

   I might have done so, and that comes to the same thing. There was an

   old lady's glove, too: I wonder what that was thinking of? Shall I

   tell you? The glove was lying there, pointing with its little finger

   at the tree. 'I'm sorry for the tree,' it thought; 'and I was also

   at the feast, where the chandeliers glittered. My life was, so to

   speak, a ball night- a pressure of the hand, and I burst! My memory

   keeps dwelling upon that, and I have really nothing else to live for!'

   This is what the glove thought, or what it might have thought. 'That's

   a stupid affair with yonder fir tree,' said the potsherds. You see,

   potsherds think everything is stupid. 'When one is in the

   dust-cart,' they said, 'one ought not to give one's self airs and wear

   tinsel. I know that I have been useful in the world- far more useful

   than such a green stick.' This was a view that might be taken, and I

   don't think it quite a peculiar one; but for all that, the fir tree

   looked very well: it was like a little poetry in the dust-heap; and

   truly there is dust enough in the streets on moving-day. The way is

   difficult and troublesome then, and I feel obliged to run away out

   of the confusion; or, if I am on the tower, I stay there and look

   down, and it is amusing enough.

   "There are the good people below, playing at 'changing houses.'

   They toil and tug away with their goods and chattels, and the

   household goblin sits in an old tub and moves with them. All the

   little griefs of the lodging and the family, and the real cares and

   sorrows, move with them out of the old dwelling into the new; and what gain is there for them or for us in the whole affair? Yes, there was written long ago the good old maxim: 'Think on the great moving-day of death!' That is a serious thought. I hope it is not disagreeable to you that I should have touched upon it? Death is the most certain messenger, after all, in spite of his various occupations. Yes, Death is the omnibus conductor, and he is the passport writer, and he countersigns our service-book, and he is director of the savings bank of life. Do you understand me? All the deeds of our life, the great and the little alike, we put into this savings bank; and when

   Death calls with his omnibus, and we have to step in, and drive with

   him into the land of eternity, then on the frontier he gives us our

   service-book as a pass. As a provision for the journey, he takes

   this or that good deed we have done, and lets it accompany us; and

   this may be very pleasant or very terrific. Nobody has ever escaped

   the omnibus journey. There is certainly a talk about one who was not

   allowed to go- they call him the Wandering Jew: he has to ride

   behind the omnibus. If he had been allowed to get in, he would have

   escaped the clutches of the poets.

   "Just cast your mind's eye into that great omnibus. The society is

   mixed, for king and beggar, genius and idiot, sit side by side. They

   must go without their property and money; they have only the

   service-book and the gift out of the savings bank with them. But which of our deeds is selected and given to us? Perhaps quite a little

   one, one that we have forgotten, but which has been recorded- small as a pea, but the pea can send out a blooming shoot. The poor bumpkin who sat on a low stool in the corner, and was jeered at and flouted, will perhaps have his worn-out stool given him as a provision; and the stool may become a litter in the land of eternity, and rise up then as a throne, gleaming like gold and blooming as an arbor. He who always lounged about, and drank the spiced draught of pleasure, that he might forget the wild things he had done here, will have his barrel given to him on the journey, and will have to drink from it as they go on; and the drink is bright and clear, so that the thoughts remain pure, and all good and noble feelings are awakened, and he sees and feels what in life he could not or would not see; and then he has within him the punishment, the gnawing worm, which will not die through time incalculable. If on the glasses there stood written 'oblivion,' on the barrel 'remembrance' is inscribed.

   "When I read a good book, an historical work, I always think at

   last of the poetry of what I am reading, and of the omnibus of

   death, and wonder, which of the hero's deeds Death took out of the

   savings bank for him, and what provisions he got on the journey into

   eternity. There was once a French king- I have forgotten his name, for

   the names of good people are sometimes forgotten, even by me, but it will come back some day;- there was a king who, during a famine,

   became the benefactor of his people; and the people raised up to his

   memory a monument of snow, with the inscription, 'Quicker than this

   melts didst thou bring help!' I fancy that Death, looking back upon

   the monument, gave him a single snow-flake as provision, a

   snow-flake that never melts, and this flake floated over his royal

   head, like a white butterfly, into the land of eternity. Thus, too,

   there was Louis XI. I have remembered his name, for one remembers what is bad- a trait of him often comes into my thoughts, and I wish one could say the story is not true. He had his lord high constable

   executed, and he could execute him, right or wrong; but he had the

   innocent children of the constable, one seven and the other eight

   years old, placed under the scaffold so that the warm blood of their

   father spurted over them, and then he had them sent to the Bastille,

   and shut up in iron cages, where not even a coverlet was given them to protect them from the cold. And King Louis sent the executioner to them every week, and had a tooth pulled out of the head of each,

   that they might not be too comfortable; and the elder of the boys

   said, 'My mother would die of grief if she knew that my younger

   brother had to suffer so cruelly; therefore pull out two of my

   teeth, and spare him.' The tears came into the hangman's eyes, but the

   king's will was stronger than the tears; and every week two little

   teeth were brought to him on a silver plate; he had demanded them, and he had them. I fancy that Death took these two teeth out of the

   savings bank of life, and gave them to Louis XI, to carry with him

   on the great journey into the land of immortality; they fly before him

   like two flames of fire; they shine and burn, and they bite him, the

   innocent children's teeth.

   "Yes, that's a serious journey, the omnibus ride on the great

   moving-day! And when is it to be undertaken? That's just the serious

   part of it. Any day, any hour, any minute, the omnibus may draw up.

   Which of our deeds will Death take out of the savings bank, and give

   to us as provision? Let us think of the moving-day that is not

   marked in the calendar."

   THE END

   LastIndexNext

   Written By Andersonof fire; these were the ideas

   and thoughts, borrowed from others, which they had used, and which now got free and rushed away like so many fireworks. They played at 'the stick burns,' and the young poets played at 'heart-burns,' and the

   witlings played off their jests, and the jests rolled away with a

   thundering sound, as if empty pots were being shattered against doors.

   'It was very amusing!' my niece said; in fact, she said many things

   that were very malicious but very amusing, but I won't mention them,

   for a man must be good-natured, and not a carping critic. But you will

   easily perceive that when a man once knows the rights of the journey

   to Amack, as I know them, it's quite natural that on the New Year's

   night one should look out to see the wild chase go by. If in the New

   Year I miss certain persons who used to be there, I am sure to

   notice others who are new arrivals; but this year I



关键字:英语童话故事
生词表:
  • rightly [´raitli] 移动到这儿单词发声 ad.正义地;正确地 四级词汇
  • enmity [´enmiti] 移动到这儿单词发声 n.敌意;憎恨;不和 六级词汇
  • governess [´gʌvənis] 移动到这儿单词发声 n.女家庭教师 六级词汇
  • geological [dʒiə´lɔdʒikəl] 移动到这儿单词发声 a.地质学的 六级词汇
  • antiquity [æn´tikwiti] 移动到这儿单词发声 n.太古;古代;古迹 四级词汇
  • novice [´nɔvis] 移动到这儿单词发声 n.新手;初学者 六级词汇
  • diversion [dai´və:ʃən] 移动到这儿单词发声 n.转移;消遣 四级词汇
  • backwards [´bækwədz] 移动到这儿单词发声 ad.向后 a.向后的 六级词汇
  • alternately [ɔ:l´tə:nitli] 移动到这儿单词发声 ad.交替地,轮流地 四级词汇
  • remarkably [ri´mɑ:kəbli] 移动到这儿单词发声 ad.非凡地;显著地 四级词汇
  • warehouse [´weəhaus] 移动到这儿单词发声 n.仓库 v.存入仓库 四级词汇
  • speechless [´spi:tʃləs] 移动到这儿单词发声 a.说不出话的 四级词汇
  • benefactor [´beni,fæktə] 移动到这儿单词发声 n.捐助人;恩人 六级词汇
  • transition [træn´ziʃən, -´si-] 移动到这儿单词发声 n.转变;过渡 四级词汇
  • cheerfulness [´tʃiəfulnis] 移动到这儿单词发声 n.高兴,愉快 六级词汇
  • downcast [´daunkɑ:st] 移动到这儿单词发声 a.沮丧的;向下看的 六级词汇
  • urchin [´ə:tʃin] 移动到这儿单词发声 n.顽童 六级词汇
  • alluring [ə´ljuəriŋ] 移动到这儿单词发声 a.诱惑的;迷人的 四级词汇
  • rubbish [´rʌbiʃ] 移动到这儿单词发声 n.垃圾;碎屑;废话 四级词汇
  • coverlet [´kʌvəlit] 移动到这儿单词发声 n.床罩,被单 六级词汇
  • blooming [´blu:miŋ] 移动到这儿单词发声 a.正开花的;妙龄的 四级词汇
  • cruelly [´kruəli] 移动到这儿单词发声 ad.残酷地;极,非常 四级词汇
  • immortality [,imɔ:´tæliti] 移动到这儿单词发声 n.不死,不朽,永生,来生 四级词汇
  • fireworks [´faiəwə:ks] 移动到这儿单词发声 n.爆竹,焰火 六级词汇
  • malicious [mə´liʃəs] 移动到这儿单词发声 a.恶意的;预谋的 六级词汇
  • good-natured [´gud-´neitʃəd] 移动到这儿单词发声 a.脾气好的,温厚的 四级词汇


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